Ching
Dynasty (1644-1911)
Style:
The orthodox school followed Tung Chi-Chang in esteeming above all the Yuan masters especially Huan g Kung-wang, whose method of building the picture slowly, stroke on stroke and wash on wash, as well as his choice of plain, unexciting subjects, had a profound appeal to the quiet taste of the Ching orthodox painters.
For individualists at Ching dynasty, they refused to follow accepted modes and employ standard forms, their insistence on first-hand interpretations of reality, did not by any means lead to “realistic” style. In a sense, their works still adhere to the literati concept of painting in being personal expressions; while they are products of an interaction between the artist’s mind and the world outside it, the former remains the decisive factor.
The boldness of some eighteenth century eccentrics is the boldness of circus performers subduing well-tamed lions. The works have been trying to startle and impress, even at the risk of falling into what the Chinese term “vulgarity”.
Artists:
Orthodox
Individualists
Eccentrics